An atmospheric collection characterised by cathartic confessionals, the Like A Prayer album still held space for Cherish, a breezy pop cut that became one of Madonna’s most-loved singalongs. The “Queen Of Pop”, however, has since revealed her own reservations about its durability, even as fans continue to hold it close to their hearts…
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Madonna’s song Cherish has an uncertain genesis
What we do know about Cherish is that it is co-credited to Madonna and Patrick Leonard. The Michigan-born producer had already helmed the success of the “Queen Of Pop”’s megahit 1986 album, True Blue, and he was back on a similar brief for 1989’s Like A Prayer.
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Madonna has said she wrote Cherish “in a superhyper-positive state of mind that I knew was not going to last”, and it’s likely that she first worked on the track in 1988, when she was appearing on Broadway in David Mamet’s Hollywood satire, Speed-The-Plow. With her marriage to Sean Penn coming under strain and certain critics challenging Madonna’s move into acting, she may have been right about her fleeting mindset at the time, yet Like A Prayer would emerge as an artistic triumph that gave a two-finger salute to the naysayers while asserting its creator as an artist who could be measured in a broader context than just her phenomenal record sales.
Cherish was a production triumph from Patrick Leonard
Although Like A Prayer offered some majestic pop highs – not least its anthemic title track – the album is anchored by many reflective, sombre moments. With obvious inspiration from the doo-wop standards of the 50s and the tight harmonies of the 60s girl groups, Cherish has an upbeat, simplistic lyric and a razor-sharp melody that offers considerable light in an album of shade.