‘Moondance’ At 55: A Track-By-Track Guide To Van Morrison’s Most Personal Album

Moondance

Morrison, who started off playing tenor saxophone before switching to alto, said that the roots of Moondance’s title track, with its jazz four-note bassline, lay in an instrumental jam he came up with in the mid-60s. Among the many pleasures of this superbly arranged song is the flute playing of Colin Tilton, whose work was included in the book 25 Great Flute Solos. The lyrics Morrison wrote – “It’s a marvellous night for a moondance/With the stars up above in your eyes/A fantabulous night to make romance/’Neath the cover of October skies” – are part of what makes Moondance one of the best love songs of all time. Morrison has played the song more than a thousand times in concert, and it is no wonder that, when George Clooney picked it for Desert Island Discs, he quipped: “You can’t go wrong with Moondance.”

Crazy Love

Morrison’s gorgeous Crazy Love is one of Bob Dylan’s favourite songs – Dylan has sung it in duets with Morrison a few times over the years – and the sense of intimacy and seduction is emphasised by Morrison’s musical bond with the three female singers on the track: Emily “Cissy” Houston (of Aretha Franklin backing vocalists The Sweet Inspirations), Judy Clay (who had several hit singles with Billy Vera) and Jackie Verdell. The final version of Crazy Love, which Morrison sang in falsetto, was recorded with the singer so close to the microphone that you can hear the sound of his tongue hitting the roof of his mouth as he sings.

Caravan

Pianist Jeff Labes has recalled how “excited” Morrison was about the new material for Moondance, including the wonderful track Caravan, which expresses Morrison’s romantic view of a traveller’s life and also his deep-seated love of listening to the radio. The live performance of this song that will remain indelible is Morrison’s one in 1976 for the Martin Scorsese film The Last Waltz, a documentary about The Band’s final performance. Morrison, wearing a purple velvet suit, leaves the stage high-kicking as if leading a chorus line.

Into The Mystic

Into The Mystic started life with the title Into The Misty. It remains one of Van Morrison’s best songs, a soulful work about life, existence and connection. “I guess the song is just about being part of the universe,” said Morrison, who was 24 at the time of its recording. When Warner Bros released the 5CD Moondance box set in 2013, it contained studio outtakes, unheard mixes and unreleased tracks. One of the most interesting aspects of the release was the way it showed the painstaking work and creative effort that went into the final, magnificent version of Into The Mystic – especially the way that guitarist John Platania, whom Morrison met in Woodstock, honed his playing on the song to perfection.

Come Running

Come Running, the shortest song on Moondance, at just two minutes 30 seconds, was described by Morrison as a “light, happy-go-lucky song”. The track shows how drums and vibes player Garry Malabar was perfectly in sync with saxophonist Jack Schrorer. Come Running, which was originally demoed for Astral Weeks, was released as a single and peaked at No.39 on the Billboard Hot 100, selling more than 300,000 copies.

These Dreams Of You

These Dreams Of You was triggered in Morrison’s imagination by a dream he had about an assassination attempt on singer Ray Charles. At the time, Morrison told a reporter he always got “caught up listening to the same Ray Charles live album all the time”. The lyrics to These Dreams Of You also contain a line about “paying your dues” in Canada, and Morrison has said he’d had a romantic idea about living in Canada. The singer played harmonica on the track, and the bass guitarist was John Klingberg.

Brand New Day

Brand New Day, one of Van Morrison’s most optimistic songs, was written when the musician was having a bad time in Boston, struggling spiritually and, as he later recalled, “living on a shoestring – a very hand-to-mouth existence at that time”. The longest song on Moondance, at over five minutes, Brand New Day has a lovely gospel-infused atmosphere, with backing singing again courtesy of Houston, Clay and Verdell.

Everyone

Morrison enjoyed working with the session musicians on Moondance, and the freshness and spontaneity conjured in New York’s A&R Studios come across in songs such as Everyone, which Morrison described as “just a song of hope, that’s what it is”, with its message of being able to “make dreams come true if we want them to”.

Glad Tidings

Morrison’s dislike of aspects of the music industry is well documented, and Glad Tidings refers to “businessmen who shake hands and talk in numbers”. The song was inspired by a postcard Morrison sent to a friend in London when he was residing in North America, with the sign-off “Glad Tidings from New York”. Blending images of deceit and chivalry, Glad Tidings was used to memorable effect in the final episode of the fifth season of The Sopranos.

Moondance marked Van Morrison’s debut as an album producer (though he was helped in the mixing process by engineers Elliott Scheiner and Tony May), and in the immediate aftermath he was pleased with the result. “The way I did it was classic. I put things together that nobody’s ever put together like that before. I’m proud of that,” he said.

Buy the ‘Moondance’ deluxe 3LP box set.