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Like ‘Dolly Parton standing on a dancefloor’, Kylie Minogue ensured her ‘Golden’ album was her most surprising new direction yet.

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Speaking truth to a society that does not want to hear, Tracy Chapman’s self-titled debut album gave a voice to millions.

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Confirming ZZ Top as the US South’s meanest boogie merchants, ‘Rio Grande Mud’ set Billy F Gibbons’ team up for the mainstream.

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A daring double-album welcoming John Frusciante back into the fold, Red Hot Chili Peppers’ ‘Unlimited Love’ is a keeper.

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Their career-making US breakthrough, Whitesnake’s self-titled album was the ‘welcome pay-off’ David Coverdale had sought for all his efforts.

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Originally sketched as an acoustic blues and given to another band, Prince eventually released Kiss as his own slice of future-shaping funk.

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Venturing on a railway-inspired odyssey, Kraftwerk’s 1977 masterpiece, ‘Trans-Europe Express’, opened up new sonic horizons for electro-pop.

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Overcoming haunted studios and internal tensions, New Order remained steadfast innovators on ‘Waiting For The Sirens’ Call’.

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Though originally conceived as a David Coverdale solo album, ‘Restless Heart’ sits among Whitesnake’s very best efforts.

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Released just weeks after The Notorious B.I.G.’s fatal shooting, ‘Life After Death’ was a hip-hop epic that ensured Biggie’s immortality.

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