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Tina Turner’s 1986 album, ‘Break Every Rule’, reaffirmed the Tennessee singer’s ‘Queen Of Rock’n’Roll’ credentials.

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A gloriously spacey trip, Tori Amos’ ‘To Venus And Back’ album found the singer exploring ‘the conscious and unconscious feminine’.

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With the ‘Music’ album, Madonna proved the new queens on the block had little chance of catching her critical and commercial momentum.

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Punk before punk was invented, MC5’s singer, Rob Tyner, laid down the anti-establishment blueprint for all future rock’n’roll rebels to follow.

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Melancholic, yet truly life-affirming, The Boy With The Thorn In His Side is the sound of The Smiths – and indie-pop – at their most sublime.

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As a debut album, ‘Talking Heads: 77’ revealed the group’s musical versatility while hinting at their glorious future as post-punk royalty.

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A soundtrack of sorts to David Byrne’s directorial debut, ‘True Stories’ found Talking Heads working with ‘a real intuitive understanding’.

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An evocative picture of life in 90s New York City, The Notorious B.I.G.’s debut album, ‘Ready To Die’, introduced a vital voice in hip-hop.

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Holding its own amid the garage-rock revival, the ‘Silver Side Up’ album turned Nickelback into global stars for the new millennium.

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The ‘Scary Monsters (And Super Creeps)’ album saw David Bowie making peace with his past while setting himself up for a new decade.

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