Steve Norman Talks 40th Anniversary Tour Of ‘Journeys To Glory’, Life In Spandau Ballet
In this interview, Spandau Ballet’s Steve Norman reveals the many highs – and the odd low – of being in one of the biggest bands of the 80s.
‘The Painter’: “I’m Still Finding Out What I Can Do” Says William Orbit
William Orbit’s first new album in eight years, ‘The Painter’ finds him flush with inspiration. ‘I’m full of surprises,’ he tells Dig!
‘The Remote Part’: Roddy Woomble Talks Idlewild’s “Defining” Album
A landmark release for Idlewild, ‘The Remote Part’ remains ‘the record that allowed us to do all this’, frontman Roddy Woomble tells Dig!
Echo And The Bunnymen: “Our Backs Were Against The Wall,” Says Will Sergeant
Defiantly creative, Echo And The Bunnymen’s music resounds through the ages. “We thought we were the best band in the world,” they tell Dig!
Warnings/Promises Made Idlewild “A Band For Life”, Says Roddy Woomble
Setting Idlewild on a new creative path, ‘Warnings/Promises’ found the group ‘getting more expansive’, frontman Roddy Woomble tells Dig!
Tales Don’t Tell Themselves: “It’s Remarkable What We Pulled Off,” Say Funeral For A Friend
A concept album inspired by prog rock, FFAF’s ‘Tales Don’t Tell Themselves’ is ‘the grower’, says Matt Davies-Kreye.
Hours Is “The Purest Funeral For A Friend Album” Says Matt Davies-Kreye
Recording ‘Hours’ was ‘life-changing’, Funeral For A Friend frontman Matt Davies-Kreye tells Dig! ‘It charts the trip of us as a band.’
‘Casually Dressed And Deep In Conversation’: Matt Davies-Kreye Talks FFAF’s Debut Album
‘Casually Dressed And Deep In Conversation’ ‘still blows my mind’, says Funeral For A Friend frontman Matt Davies-Kreye.
Quentin Tarantino Reveals The Secrets Behind His Classic Soundtracks
Speaking exclusively to Dig!, Quentin Tarantino discusses his ‘Jackie Brown, ‘Death Proof’ and ‘Inglorious Basterds’ soundtrack tricks.
The Fool And The Scorpion: “I Was Not Holding Back” Says Sharon Corr
Written in a state of free-flowing creativity, ‘The Fool And The Scorpion’ is ‘a thorough expression of myself’, Sharon Corr tells Dig!
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